The Valley of the Bees

From my point of view, a more impressive and perhaps also more successful film than Marketa Lazarová - perhaps because The Valley of the Bees was not as hard to understand, its script is not in any way "cryptic" (the monologues and dialogues from the pen of Vladimír Körner are undeniable) and the actions of the characters are easy to read. Petr Čepek is absolutely amazing, Jan Kačer is literally demonic... However, the one that has grown closest to my heart is Josef Somr in a small but important role. Zdeněk Liška's music is as beautiful as ever, but there is no point in praising Vláčil's direction to the heavens, as it has been there for a long time. A one hundred percent film. (11/29/2011)

Film treat that was created as a side product and poorer little brother of Marketa Lazarova. Basically, a very simple plot is shot poetically and at the same time rawly, it is an extraordinarily suggestive film experience with music perfectly tailored, excellent camera work, and great performances by Cepka and Kacer. In this film, however, the cliché "there are no small roles" perfectly holds true. I claim that if Údolí včel was shot in color, it would have been half as good, the black and white material co-creates the balladic atmosphere of the story. Overall impression: 95%. (04/29/2007)

The film, which is considered one of the best ever made here. When I was watching it, I felt like I was watching Bergman. Slow but intense moments with incredible performances, which only enhance the power of the overall experience. It's one of those films that must be seen. It may leave you feeling cold and say that it's for intellectuals, but somewhere deep down you will feel that it has done something to you. (12/23/2014)

The story of a religious fanatic who does not hesitate to take up the sword for the glory of God and for whom the desire for a normal life is alien. It is hard to believe that this film was made mainly to use the costumes from Markéta Lazarová. The Valley of the Bees is equally exquisite, oozing the atmosphere of the 13th century, and Zdeněk Liška's music is unique as always. (05/11/2003)

“My father promised me to the Order. To save his soul." If it weren’t for Herz’s year younger The Cremator, The Valley of the Bees would sit on the imaginary throne of Czechoslovak cinema. This way it is doomed to second place, but what can you do... And that shows amongst other things that I belong to the “barbarian riffraff" who consider this, Vláčil’s picture to be better than Marketa Lazarová (which is a bit of a paradox since The Valley of the Bees was only made to make use of the costumes and scenery left behind after it). The Bergmanesque proportions, the indescribably splendid camerawork (I will probably never get bored of the shot at the end with Ondřej disappearing into the darkness) and Liška’s score make watching this a wonderful experience for the mind, eyes and ears. And the actors are absolutely... We don’t see Petr Čepek on screen, but Ondřej of Vlkov. Nor do we see Jan Kačer (who currently stars in an awful Czech telenovela), but purely and simply Armin von Heide. The same applies for the others. OK? OK! (02/14/2008)