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By providing a perfect hideaway for philandering bosses, the ambitious young employee reaps a series of undeserved promotions. But when Bud lends the key to big boss J.D. Sheldrake (Fred MacMurray), he not only advances his career, but his own love life as well. For Sheldrake's mistress is the lovely Fran Kubelik (Shirley MacLaine), elevator girl and angel of Bud's dreams. Convinced that he is the only man for Fran, Bud must make the most important executive decision of his career: lose the girl...or his job. (official distributor synopsis)

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Reviews (10)

lamps 

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English An endearing, in many ways timeless film about a hard-pressed apartment that deservedly belongs to the hall of fame. The amazing character of Jack Lemmon, trapped in the snares of his job and head over heels in love with his supervisor's girlfriend, is amazing. Also amazing is Wilder's direction steeped in classic romance, witty, original but not too cloying – whether we are talking about the unique depiction of the American civil service as a stereotypical prison, where bigwigs with a name tag on their door bring their girlfriends to their apartments according to schedule, or the ending of the romantic plot, which, by today's standards, will certainly surprise everyone. However, I'm reluctant to give it a fifth star, after all, I have given this rating to many films (even romantic ones) that I simply enjoyed a lot more. When I become a professional nitpicker one day, the star promotion will surely not miss The Apartment :-) 85% ()

kaylin 

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English I thought Baxter wouldn't stand up to his oppressors in the end. I also thought about how it would look nowadays, when he could secretly film them and then blackmail them. Great cast, with Jack Lemmon showing what an incredible performer he is, Shirley demonstrating human imperfection and a desire for affection in the wrong places. Superbly executed until the very end. ()

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Malarkey 

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English I’m not surprised by all the Oscar nominations. Because of its age, this film seems a bit old-school, like something from a bygone era, but it has a kind spirit that entertains effortlessly and doesn’t offend anyone in any way, which we are used to from today‘s comedies. It treats a classic, totally overused topic, but it’s conveyed in a cute, fun way. You can feel a bit of the drug-induced cheer of that era’s Hollywood, but it’s all very good-natured and inoffensive. ()

Marigold 

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English It’s well made, discreet, charming, and soaked in the nostalgia of black and white times. In addition, the film has the excellent central pairing of Lemmon-MacLaine, between whom things spark even without the red-book outbursts and overly cheap gestures. I don't know why, but I had the feeling that Wilder was making a visionary mockery of contemporary love comedies... ()

Necrotongue 

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English Drama / Comedy / Romance - I never expect to have fun when I see this combination of genres. Apparently, life still has some surprises up its sleeve for me. I enjoyed the story of a decent, conscientious office worker/love hotel manager. I didn't laugh so hard I cried, but it was an excellent drama that occasionally made me smile. The story was based on a clichéd (but still relevant) relationship between a young woman and an "unhappily" married man, but C.C. Baxter, played by Jack Lemmon, gave this predictable movie a whole other level. I was thrilled to watch every unintentionally cruel sentence uttered by Fran Kubelik tear the heartbroken lover to pieces. He always managed to collect himself, only to be dying in agonizing pain shortly after. Jack Lemmon was perfect, Shirley MacLaine was wonderful and charming, and the movie had much more to offer than it promised, leaving me in a very peculiar mood. I was delighted, hence the five stars. / "Where'll we go? My place or yours?" "Might as well go to mine. Everybody else does." / Lesson learned: Committing suicide in someone else's apartment is extremely inconsiderate. ()

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