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Hapless family man Paul Matthews (Nicolas Cage) finds his life turned upside down when millions of strangers suddenly start seeing him in their dreams. But when his nighttime appearances take a nightmarish turn, Paul is forced to navigate his newfound stardom, in this wickedly entertaining comedy from writer-director Kristoffer Borgli and producer Ari Aster. (A24)

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Reviews (16)

J*A*S*M 

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English “The best film of the year with a perfect and original idea and great acting by Nicolas Cage. The dictionary definition of an A24 film, a well-directed piece with impeccable comedic timing, but one that can also strike a darker chord," that’s what I would have written if they hadn't strangely switched gears in the final fifteen minutes – after the school play scene – and the film hadn't fizzled out. It's a shame and I can't quite explain it, the ending really feels like Borgli ran out of time and didn't manage to write and film the climax the rest of the film deserved. Still, I'll burn a five star rating, I've been rather stingy with them this year and Dream Scenario towers high above the usual surrounding stuff despite the stumble. PS: Kristoffer Borgli is the discovery of the year for me – I recommend his previous film Sick of Myself, which is also about a man who craves attention, and in a bizarre way gets it. ()

EvilPhoEniX 

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English After a long time, Nicolas Cage stars in something that is not in entertaining or a crazy B-movie, but a serious drama from the A24 studio, and is probably something few people expected. Dream Scenario has a very original thought-provoking concept. The main character starts appearing in people's dreams out of nowhere and becomes a viral phenomenon. As a professor, he desired fame and attention, so he is happy about it. But then he starts appearing to people in nightmares and Cage becomes hated by society. It is a pretty scary idea that something he is not responsible for could ruin his life. This is all fine, just a shame that there were very few of those dream sequences themselves (which are quite good), they could have taken up more time. I didn't find it funny at all, so I don't understand the comedy classification. Cage plays naturally, and since he is a professor, he has intelligent dialogues. It's a shame that in the end, when there could have been a significant twist, nothing happens, it just fizzles out. It is an interesting film that deserves attention, but I could imagine it being more audience-friendly. I would rate it between 3-4 stars, but this time I lean towards three. 65% ()

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Malarkey 

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English A solid modern allegory with a touch of Kaufman vibes, and I really enjoyed it. A big part of that is Nicolas Cage in the lead, playing it deliberately average, almost dull—and yet, you still buy into the underlying madness brewing in his head. It's minimalist in its humor, but the concept is something every true film lover should want to see. ()

D.Moore 

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English A great idea, an excellent Nicolas Cage, Woody Allen-like marital dialogue... And such an unnecessarily VERY rushed ending, I felt sorry for it. It's as if someone suddenly noticed that the budget had been slashed and there were only a few dollars left. Too bad, too bad, it felt completely like a sudden awakening from a dream you didn't care for. ()

Marigold 

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English Borgli has great ideas, but he’s not able to bring them to fruition. Compared to Sick of Myself, which was irritatingly aggressive and stupid, his new film is slightly more refined. In the first half, which concentratedly works with simplicity, awkwardness and an acting masterclass on the part of Cage, it’s even one of the best black comedies that I’ve seen recently. Unfortunately, when Borgli spreads his wings and starts satirising cancel culture and the influencer vacuum through dreams, the film suddenly comes across as completely clueless and toothless. Fortunately, Cage’s professor is such a fascinating and ambiguous character, whose guilt consists primarily in thinly disguised egoism, that the film never completely falls apart. But where it was supposed to punch you in the mouth, it rather just dissipates and leaves behind the odour of the nervous fart in the film’s unquestionably best scene. ()

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