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Eastwood stars in the role of Frankie Dunn, a down-on-his-luck former boxing manager who spends the twilight years of his life running a small, dilapidated gym in downtown Los Angeles. Frankie's previous career was blighted by an injury to one of his prize fighters, Scrap (Morgan Freeman), who lost the sight in his right eye during a particularly brutal bout; Scrap now wiles away the hours working as a cleaner in Frankie's gym. Wary of similar occurrences being inflicted on the prestigious young talent that passes before him, Frankie lets a succession of great boxers slip through his fingers. But when the brash, confident young boxer Maggie Fitzgerald (Hilary Swank) strides into the gym, Frankie's life is irretrievably altered. Initially refusing to train Maggie due to her gender and age, Frankie relents when faced with her tenacity, spirit, and burning ambition. The combination of Maggie's talent and Frankie's tutelage paves the way for the adroit fighter to rise steadily through the ranks of women's boxing, with the unlikely coupling forming a genuinely touching bond in the process. (official distributor synopsis)

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Reviews (6)

POMO 

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English Million Dollar Baby is an impressive minimalistic chamber drama, but it didn’t appeal to me as much as the more emotionally diverse A Perfect World. Poor Martin Scorsese, who was so successful with every detail of his perfectionistic, though somewhat reserved The Aviator. It must have been a painful blow for him to have his Oscar taken by someone who merely locked himself in a gym with three actors for a few days. Million Dollar Baby is built on a strong subject, monologue gems by Morgan Freeman and a masterful acting performance by Hilary Swank. Clint Eastwood himself merely poses as a tough guy with a troubled soul and got an Oscar nomination for best actor based solely on his charisma, which isn’t fair. Freeman is fine, though he’s only being himself instead of doing any great acting. The cinematography and directing are miraculous given the limited budget. A very nice little film. Simpler and more modest than Mystic River, but just as powerful. ()

Lima 

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English It took me a long, long time to get into this film, because I felt that Eastwood was emotionally blackmailing me in the end. If only! This is one of the best films about human desire, courage without boundaries and especially the right to deal with one's life according to one's best knowledge and conscience. In the words of Piergiorgio Welby: "man has a right to life, but does not mean that man must live it at all costs", and I would see this as the main mission of Eastwood's work (and I would recommend it to all Catholics). Bravo Clint, bravo Hilary! ()

DaViD´82 

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English A brilliantly directed and perhaps even better acted film that is not just about sport as it might initially seem. In some moments it pushes a little too hard on the emotions, but in many places it is naturally emotionally strong. And I wouldn’t want to get punched by Hillary Swank. ()

novoten 

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English An incredibly intense film of immense emotion, touching, comforting, and chilling, that nails you to your seat and doesn't let go until the final catharsis. Due to its emotional charge, it will never leave my mind, especially thanks to the captivating shadowplay that shrouds the gymnasium and the three flawless performances that impressively stand out from it. ()

Kaka 

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English A film that impressed me. First and foremost, it's not just a film about boxing, but about a person. As for Hilary Swank, she delivers the best performance I have seen in a very long time, and quite possibly the best female performance ever. Clint Eastwood directs again with his classic style. The film is accompanied by minimal music and takes place in suggestively raw environments, whether it be gloomy corners of hospital rooms or a dark gym. All of this creates an indescribable and unique atmosphere, even though it has a practically ordinary and sometimes predictable screenplay. For me, unequivocally the best film of the year. ()

lamps 

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English Million Dollar Baby is first and foremost a film that can mount real and infinitely varied human emotions onto a self-servingly moving and academically focused story. A hypnotic and intimate film where there is no talking, only listening in humility to a trio of diverse characters, carved by their own cruel pasts and mutual encounters, who for two hours become inseparable heralds of life's joys, hardships and deepest sorrow. It's not a film about boxing, it's a film about life – how it is understood by people who have been through something and know what is worth working, sweating, breathing and sinning for. We should listen to it. 95% ()