The Fighter

I always wonder how it is still possible for another boxing movie to be successful. But when I see it, I realize that it is still possible. Stallone proved it several times with his Rocky, and definitely with his latest contribution. Martin Scorsese did not let himself be embarrassed either, and now he has also made his dream project come true, as did Mark Wahlberg. He deserves all the credit, but just like boxer Micky Ward has problems with the attention mainly focused on his brother Dicky, Mark Wahlberg disappears in the shadow of his colleagues. When Christian Bale won an Oscar for his role as Dicky, it was a bit disappointing for me, because I wished it for Geoffrey Rush for his unbelievable performance in "The King's Speech". But what Christian demonstrates in "The Fighter" is simply incredible. He doesn't act, he is the character. There aren't many actors like him, including Meryl Streep and the aforementioned Geoffrey Rush, but Bale deserves all the credit. He was not afraid of a character who is not a hero, who is negative, who has many character flaws, but he managed them all in such a way that you won't look for Bruce Wayne in him for a moment. Credit where credit is due. More: http://www.filmovy-denik.cz/2012/04/frost-vs-nixon-bos-vs-kung-fu-trocha.html (02/16/2013)

Freed from unnecessary pathos and sentiment, a boxing drama the likes of which we haven't seen for a long time. Above all, the central duo delivers an excellent performance. Christian Bale once again shows what he is capable of doing for his role; he lost a good 20 kilograms since Batman, and his emaciated, drug-addicted ex-boxer character is very well played. In some dialogues, the film has a very dramatic storyline, which makes it surprisingly gripping at times. The fights are by far not the only thing keeping film afloat, there are a few of them, and they are not worth mentioning much. I understand the Oscar nominations, after all, statues have always been awarded for boxing (why not tackle it). Much faster and smarter than I expected, Cinderella Man is an absolute lightweight compared to this. (02/20/2011)

Already in the opening credits, it occurred to me that I had feared Fighter unnecessarily. And in the final credits, there was nothing ordinary or transparent about it at all. The cast surprises with their escalating performances (not surprisingly, the beautiful Amy Adams dominates), the TV-style fights in the ring draw you in and at the same time provide the necessary viewer's perspective, and in the end, even the perpetually screaming, "half-burdened" line with the successful family gains deeper meaning and stops being a distraction. This boxing story simply works from the first to the last minute. Some mistakes don't have to be repeated. (02/25/2011)

This is not so much a film about boxing and the hardships this sport brings (that's why comparisons with Rocky, Raging Bull, etc. are unwarranted), but mainly a social drama about a crazy family, a domineering mother-manager and two brothers who are completely different in character, all with riveting performances by almost everyone involved. While Wahlberg, with his unchanging poker player expression, hits his acting limits here, the anorexic Bale clearly reigns supreme and whenever he's on screen you can't take your eyes off him. There is such a believable and intimate atmosphere permeating the whole film, that you have no problem empathising with the action and watching it all in one breath. The only thing separating this film from a maximum rating is the fact that the plot meanders through predictable twists and turns, but otherwise it’s undoubtedly one of the films of the year and the Oscar nominations are well deserved. (02/27/2011)

A family drama (in the sense of a “drama about a family” rather than a “drama for the whole family”) that is pulled out of mediocrity only by the excellent Christian Bale (in a role similar to the one he played in Harsh Times). Fighter is a psychologically believable and, in terms of acting, focused film that doesn’t bring anything new to the genre of intimate relationship movies and doesn’t offer any moments of a more dramatic nature. Mark Wahlberg’s role suits him due to his real-life background, but the film rather needed a real actor in the mold of Bale for that role. (11/28/2011)