Thor

By the whiskers of Odin, that was superb. Despite its fantasy atmosphere, Thor doesn’t disturb the Marvel universe as much as I had feared. On the contrary, now I have the feeling that it would be worse without him. And the mass of references (beautifully complementing the action) form an excellent foundation for the story and prepare the ground for the biggest event of next summer. Chris Hemsworth is excellent, and considering he isn’t well-known, he did an excellent job, carrying the entire movie on his shoulders without needing his hand to be held by the better-known stars who paradoxically are given much less room. Astrophysicist Natalie is here basically just so that the main protagonist someone to fall in love with and Hopkins to cast our hero out of his home. What I liked was that Branagh exploited the spectacular world of Asgard to the maximum. Midgard (alias New Mexico) serves just as a bridge to the Avengers, but for this story it’s important only to teach Thor (big and powerful) to obey orders. All in all, this is an excellent story just a drop short of perfection. A very little drop. (04/30/2011)

A beautiful fairy tale that manages to illustrate both worlds (based on Thor's realm). I was a little bothered that Thor knew everything. On the other hand, there have been plenty of aliens amazed at cars and so on. I laughed at the scene where Thor walks into the Pet Center and says: "Give me a horse." The film certainly has more positives than negatives, but I'm still a little short of a full count. The 3D was completely unnecessary. (05/06/2011)

After embarrassing trailers and 3D conversion, I avoided watching Thor in the movie theater. Now, in retrospect, I feel that was a mistake because Branagh has delivered a terrific comic book movie that bucks the fashionable trend of machine psychoanalyses of the heroic mind, and instead has a sympathetic man land on Earth who tackles everything with a disarming combination of unearthly naivety and muscularity. The characters are as flat as ever, but the actors are excellent, it moves along nicely, and it's full of humor (or Asgard) and proper pomposity. A sequel, please! (08/29/2011)

It could have been dull weirdness with a bunch of polished mannequins, but thanks to Kenneth Branagh's pedantic guidance, it became a wonderful fairy tale with mythological proportions, a great degree of noble irony and, above all, the excellent Chris Hemsworth (who devoted at least as much effort to acting as he did to his first-class musculature) and, as always, the irresistible glossator Stellan Skarsgård. It is spoiled a bit by the equally fragile Portman and some stupid flubs in the script (maybe even in the Czech translation) as well as the slightly wooden tricks, but Fenriz doesn’t care about any of that... fans of hyper-effective blockbuster modernity may not be enticed, but for lovers of honest epics with a nice design and a magical atmosphere, Thor's Mjolnir should slap them on the head quite nicely. That’s the right frequency, Kenneth! (04/20/2011)

Branagh is a tremendous guy; he knows full well that not even a popcorn relax movie can be purely action for action’s sake, but that it needs emotions through (almost Shakespeare-like) destiny, (almost Shakespeare-like) tongue-in-cheek humor (the above applies only to the original, undubbed version - dubbing can easily bury any attempt at humor) and also some acting talent in the cast... Simply everything necessary to make sure that this wouldn’t turn into an effective “American-style" brainwasher, but into a regular, although still popcorn movie with all the trimmings. And not only does Thor manage this throughout, but the relaxed impression remains with you even after you leave the movie theatre, which is unusual today. You could not get more out of the naive comic book story (which hijacks Norse myths and legends) that it’s based on. The only thing that isn’t clear to me with respect to future plans is why the last fall didn’t take place with the opposite guard? (04/27/2011)