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Clyde Shelton (Gerard Butler) is an upstanding family man whose wife and daughter are brutally murdered during a home invasion. When the killers are caught, Nick Rice (Jamie Foxx), a hotshot Philadelphia prosecutor, is assigned to the case. Nick offers one of the suspects a light sentence in exchange for testifying against his accomplice. Fast forward ten years. The man who got away with murder is found dead and Clyde Shelton coolly admits his guilt. Then he issues a warning to Nick: Either fix the flawed justice system that failed his family, or key players in the trial will die. Soon Shelton follows through on his threats, orchestrating from his jail cell a string of spectacularly diabolical assassinations that can be neither predicted nor prevented. Philadelphia is gripped with fear as Shelton’s high-profile targets are slain one after another and the authorities are powerless to halt his reign of terror. Only Nick can stop the killing, and to do so he must outwit this brilliant sociopath in a harrowing contest of wills in which even the smallest misstep means death. With his own family now in Shelton’s crosshairs, Nick finds himself in a desperate race against time facing a deadly adversary who seems always to be one step ahead. (official distributor synopsis)

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Reviews (11)

J*A*S*M 

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English Law Abiding Citizen had great potential and at the beginning I thought that it would exploit it brilliantly. Unfortunately, however, it soon turns out that it’s nothing but a decent thriller that tries to look smart (and manages it to a certain extent). The screenwriter gave up all attempts to explain certain things, choosing a deux ex machina principle instead. And the claim, that a smart film doesn’t need to explain everything to a smart viewer because they should be well able to figure things out themselves, doesn’t apply. Solid fun, but better not speculate too much about it. ()

Isherwood 

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English The fusion of classic "revenge movies" with modern hi-tech toys promised all sorts of things, only to fall short of the promise itself. This is due to Gray’s routinization, which doesn't exceed the scope of the trailer in terms of action. Additionally, Wimmer's thought castration tries to combine themes of revenge (on whom and why?), the indictment of the judicial system, and family drama so clumsily and desperately that I now suspect the editor of sabotage, resulting in half an hour of footage disappearing into the void. The film has no gradation, no logical progression, and no tension to speak of. There are just a couple of crashing cars, a gloomy Butler (a good thing), a slimy Foxx (the last good thing), and the status of the year's greatest missed opportunity. ()

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DaViD´82 

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English I hereby notify all upstanding citizens that Foxx is about as endearing here as any regular politician and Butler didn’t even attempt to endow his character with the charisma needed to command due respect. And if that weren’t enough, while writing this weak broth made from the first part of Saw, they looked up the term “shocking twist" but mixed up the definition with that for “load of hogwash". ()

D.Moore 

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English A solid thriller, extremely suspenseful from start to finish. We can thank for this the idea, which managed to turn even the classic theme of revenge into a fresh and unique spectacle, as well as the two actors (Butler's "daddy" really isn't a good guy, Foxx's prosecutor beautifully gropes between what is right and what is wrong), the direction and the music. However, some of the moments seen in Law Abiding Citizen (in its second half) did not seem to me the least bit realistic, or even feasible in a normal universe. Otherwise - a really good film. ()

3DD!3 

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English Wimmer's screenplay isn't particularly great, but it’s central idea is really good. Moreover, the excellent Gerard Butler immediately got not only to me, but also to my sister, and we were on his side throughout the whole movie. Personally I understood why he was doing it. Hell, I'd do the same thing. Unfortunately, the closer we get to the conclusion, the more the creators make him a negative character so that they could slip into an established template. Not that this suddenly makes the whole movie bad, it just takes a certain aura away from Butler. Something is stolen from the film that could have made it an unforgettable spectacle. It's not what you know, Clyde. It's what you can prove in court. ()

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