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Clyde Shelton (Gerard Butler) is an upstanding family man whose wife and daughter are brutally murdered during a home invasion. When the killers are caught, Nick Rice (Jamie Foxx), a hotshot Philadelphia prosecutor, is assigned to the case. Nick offers one of the suspects a light sentence in exchange for testifying against his accomplice. Fast forward ten years. The man who got away with murder is found dead and Clyde Shelton coolly admits his guilt. Then he issues a warning to Nick: Either fix the flawed justice system that failed his family, or key players in the trial will die. Soon Shelton follows through on his threats, orchestrating from his jail cell a string of spectacularly diabolical assassinations that can be neither predicted nor prevented. Philadelphia is gripped with fear as Shelton’s high-profile targets are slain one after another and the authorities are powerless to halt his reign of terror. Only Nick can stop the killing, and to do so he must outwit this brilliant sociopath in a harrowing contest of wills in which even the smallest misstep means death. With his own family now in Shelton’s crosshairs, Nick finds himself in a desperate race against time facing a deadly adversary who seems always to be one step ahead. (official distributor synopsis)

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Reviews (11)

Othello 

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English Grrr disappointing. The film has a terribly fast pace, by the second minute Butler has a baseball bat in his face and some initial getting-to-know-you takes place via a knife in his stomach, after all why not, but then you find the film deals this half-heartedness and brevity terribly often. You can't begin to empathize with Butler that fast based on one scene where he and his daughter exchange two sentences and his wife calls something to him, because in the next one they take them out "there's just another woman and child in the film". Thus your attention is drawn to just wondering what a pissed off Butler is going to do and how he's going to do it, and thus a film that imho relies on making the viewer feel outrage at a poorly set up legal system becomes a cold viewing experience not unlike, say, installments of the Saw series ("I wonder how he's going to take this one down"), which doesn't work out much either because Butler is full of crap like "...this gonna be biblical." and "...then everybody will die" and then the excited viewer is disappointed when he doesn't do that much. It's a shame to talk about the logic of some of the scenes and the completely out of nowhere ending. All in all, a star for the scene with the phone, a star for the steak bone scene, and a star for Butler. ()

Pethushka 

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English An above average and thoughtful film led by the talented Gerard Butler. I was glowing and gobbling it up the entire time. I was a bit more disappointed with the ending. It's happened a few times before that a brilliant film has been brought down by a pointlessly simple ending. This is a prime example. Otherwise, Butler is great again! He handles every genre with aplomb. 4.5 stars. ()

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Kaka 

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English F. Gary Gray is indeed a routine artist, and probably will be forever, but I would be lying if I said Citizen is not an interesting and relatively thrilling movie at certain moments. I was surprised by the brutality of some scenes and the R rating, but I was not surprised by the awkward twist and the average screenplay. There is a decent chemistry between Butler and Foxx, but they exploit it only halfway (greetings to the screenwriter),.The pyrotechnic effects like Backdraft and the shootout in the cemetery evoking Sheriff were a pleasant retro touch. ()

Isherwood 

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English The fusion of classic "revenge movies" with modern hi-tech toys promised all sorts of things, only to fall short of the promise itself. This is due to Gray’s routinization, which doesn't exceed the scope of the trailer in terms of action. Additionally, Wimmer's thought castration tries to combine themes of revenge (on whom and why?), the indictment of the judicial system, and family drama so clumsily and desperately that I now suspect the editor of sabotage, resulting in half an hour of footage disappearing into the void. The film has no gradation, no logical progression, and no tension to speak of. There are just a couple of crashing cars, a gloomy Butler (a good thing), a slimy Foxx (the last good thing), and the status of the year's greatest missed opportunity. ()

J*A*S*M 

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English Law Abiding Citizen had great potential and at the beginning I thought that it would exploit it brilliantly. Unfortunately, however, it soon turns out that it’s nothing but a decent thriller that tries to look smart (and manages it to a certain extent). The screenwriter gave up all attempts to explain certain things, choosing a deux ex machina principle instead. And the claim, that a smart film doesn’t need to explain everything to a smart viewer because they should be well able to figure things out themselves, doesn’t apply. Solid fun, but better not speculate too much about it. ()

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