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Clyde Shelton (Gerard Butler) is an upstanding family man whose wife and daughter are brutally murdered during a home invasion. When the killers are caught, Nick Rice (Jamie Foxx), a hotshot Philadelphia prosecutor, is assigned to the case. Nick offers one of the suspects a light sentence in exchange for testifying against his accomplice. Fast forward ten years. The man who got away with murder is found dead and Clyde Shelton coolly admits his guilt. Then he issues a warning to Nick: Either fix the flawed justice system that failed his family, or key players in the trial will die. Soon Shelton follows through on his threats, orchestrating from his jail cell a string of spectacularly diabolical assassinations that can be neither predicted nor prevented. Philadelphia is gripped with fear as Shelton’s high-profile targets are slain one after another and the authorities are powerless to halt his reign of terror. Only Nick can stop the killing, and to do so he must outwit this brilliant sociopath in a harrowing contest of wills in which even the smallest misstep means death. With his own family now in Shelton’s crosshairs, Nick finds himself in a desperate race against time facing a deadly adversary who seems always to be one step ahead. (official distributor synopsis)

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Reviews (11)

Pethushka 

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English An above average and thoughtful film led by the talented Gerard Butler. I was glowing and gobbling it up the entire time. I was a bit more disappointed with the ending. It's happened a few times before that a brilliant film has been brought down by a pointlessly simple ending. This is a prime example. Otherwise, Butler is great again! He handles every genre with aplomb. 4.5 stars. ()

Marigold 

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English Imagine a drunk fan watching a football match and forgetting who he is cheering for. At least that’s how Gray's film seemed to me. It tries to look very serious, but as a result ends up with proven truths and clichés. A well-creased punk who drinks coca-cola while dreaming of absolute anarchy. But if I think away from the really poor imitation of playing with the motif of system corruption, then this is quite a suitable thriller. Neither Butler nor Fox give us anything more than we are used to seeing, Gray is gracefully satisfactory, and Law Abiding Citizen rides more on a wave of positive impressions. If only the film sometimes didn't pretend to be a smarty-pants and didn't act like a glued monkey... ()

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gudaulin 

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English Yes, once again I will go against the current...:-) Law Abiding Citizen may have routine direction, an unremarkable antagonist, and an unsympathetic hero, whose value system and careerism could make weaker characters feel disgusted, but all of that is still enough for a decent three stars. But then we have the screenplay, which is unrealistic, megalomaniacal, not addressing many crucial moments, but above all, silly in its overall construction. The difference between a quality thriller and Law Abiding Citizen is the same as the difference between Zinnemann's The Day of the Jackal and its 1997 American remake. Put some high-tech gadgets in there, a few shocking twists, and an appropriate dose of brutality, and the result will surely come. In practice, the viewer is faced with situations where a terrorist places a bomb that he can detonate with a mobile phone, and instead of actually detonating it and delighting in the destruction of his victims, he walks home, so that his opponent manages to deliver the bag with the explosive, which, for a change, he knows can be detonated at any time or randomly explode, to the terrorist's bedroom and maliciously enjoyed watching the terrorist carry out his own sentence... Overall impression: 25%. ()

Kaka 

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English F. Gary Gray is indeed a routine artist, and probably will be forever, but I would be lying if I said Citizen is not an interesting and relatively thrilling movie at certain moments. I was surprised by the brutality of some scenes and the R rating, but I was not surprised by the awkward twist and the average screenplay. There is a decent chemistry between Butler and Foxx, but they exploit it only halfway (greetings to the screenwriter),.The pyrotechnic effects like Backdraft and the shootout in the cemetery evoking Sheriff were a pleasant retro touch. ()

Isherwood 

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English The fusion of classic "revenge movies" with modern hi-tech toys promised all sorts of things, only to fall short of the promise itself. This is due to Gray’s routinization, which doesn't exceed the scope of the trailer in terms of action. Additionally, Wimmer's thought castration tries to combine themes of revenge (on whom and why?), the indictment of the judicial system, and family drama so clumsily and desperately that I now suspect the editor of sabotage, resulting in half an hour of footage disappearing into the void. The film has no gradation, no logical progression, and no tension to speak of. There are just a couple of crashing cars, a gloomy Butler (a good thing), a slimy Foxx (the last good thing), and the status of the year's greatest missed opportunity. ()

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