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The near future. A hostile alien race have attacked Earth. If not for the legendary heroics of International Fleet Commander Mazer Rackham (Ben Kingsley), all would have been lost. In preparation for the next attack, the highly esteemed Colonel Graff (Harrison Ford) and the International Military are training only the best young minds to find the future Mazer. Ender Wiggin (Asa Butterfield), a shy but strategically brilliant boy, is recruited to join the elite. Once there, he's trained by Rackham himself to lead his fellow soldiers into an epic battle that will determine the future of Earth and save the human race. (eOne Films International)

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DaViD´82 

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English An adaptation of a readers, awards and time tested prolog to one of the best literary sci-fi’s ever (yes, I mean “Speaker for the Dead"). The book works with purely adult, timeless themes seen through the eyes of children for greater chilling effect (a sort of “Lord of the Flies" in space) and, to the credit of the filmmakers, the movie tries to do the same. The problem is that it merely tries. However, it is prevented from succeeding because the characters are too pruned down and consequently one-dimensional, so we can’t get far enough into Ender’s skin. Plus, a clash of two approaches cries out from the entire movie; a faithful, coolly detached, toned down adaptation “about something" and audience-pleasing, multi-colored, glittering scenes aimed at tickling your insides. And this just doesn’t work together. ()

J*A*S*M 

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English Even as someone who hasn’t read the book, I feel the filmmakers had to leave a lot out and use many plot shortcuts, because the themes and ideas that they tap (and also leave untapped) are really a lot for those 115 minutes. The good thing, though, is that what remained makes pretty good sense, while at the same time it’s not hard to imagine those things that didn’t make the cut. After the awful Wolverine, I wasn’t expecting much from Gavin Hood, but he turned out to be a pleasant surprise and delivered one of the purest sci-fi movies of the year. With its detachment and lack of user-friendliness, Ender’s Game is not likely to make many fans among the average cinemagoers, but those who prefer something like Starship Troopers or Lord of the Flies over another happy blockbuster about a young, brave hero who saves the world from an extraterrestrial invasion shouldn’t miss it. A welcome compensation for the dodgy Elysium. ()

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kaylin 

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English I haven't seen a good, classic sci-fi that I enjoyed for quite a long time. I enjoyed this one, but the whole time I kept thinking how great it must be in the book. Even the ending wouldn't sound so terrible there. However, they decided to make a movie that is strong, emotional, has interesting characters and powerful moments, but also weaknesses, where especially the zero gravity training sort of sounds muffled and the audience doesn't really understand what it's all about. Despite a quite high budget, the film feels maybe too intimate. But something is always happening. ()

JFL 

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English Ender’s Game is very good as an illustration of its source material. The film retains the full range of motifs from Card’s phenomenal book. In spite of that, however, the conversion from one medium to another still doesn’t work nearly as well as it does in, for example, Watchmen. The weakness of Ender’s Game in this case lies in the fact that, unlike Watchmen, it doesn’t involve a narrative in which the characters are symbols or, more precisely, different facets of a central theme, but rather that the title character is at its centre. Throughout the book, Ender undergoes complex development and the narrative carefully constructs the different facets and aspects of his personality. All of this is left out of the film and, in an effort to preserve all of the key plot points, the film simply rushes from one scene to the next instead of engaging in the deeper depiction and psychologising of the character. It is necessary to acknowledge that when the viewer analyses the film, it’s possible to find fragments of a rather complex character. However, when actually watching the film, one finds that Ender inevitably remains only a puppet dragged from one twist to another. If the filmmakers had used the interludes between sequences to focus on the protagonist and his loneliness and inner feelings instead of on gratuitous money shots of space, Ender’s Game might have turned out even better. ()

Kaka 

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English Smart and intelligent sci-fi, thematically quite original and rather dark. Occasionally it reminded me of some non-action passages from Minority Report with its gloominess and detachment. But it is extremely unfriendly towards the audience. Some will admire this film, while the majority will see it once and give a nod of agreement. It is not pleasant sci-fi, it is a probe into the mind of a killer. Excellent psychology, rather iconic action. ()

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