The Predator

If you're expecting a classic Predator, you'd better stay at home, because Shane Black will really piss you off. Unlike the first and second films, there is no sense of a fight for life, but instead the building of a mythology that is not very interesting and feels rather funny. Furthermore, Black completely mismanages the action scenes and especially towards the end Predator: Evolution turns into a proper mess. But on the other hand, I can't say I was bored. The running time is just right, Boyd Holbrook more or less handles the lead role, and the other soldiers are likeable, although, unfortunately, they occasionally make some unexpected and off-the-cuff remarks, as if the editor didn't quite get his job together, and they understandably are no match to Arnold's crew from the first film. The new Predator is actually a weird mix of an old movie, a war flick, a bit of dumb comedy, and something that has ambitions to have two more installments. As action sci-fi B-movies goes, it's fine. As a Predator movie, it’s not. (09/13/2018)

It's not as bad as the ratings and reviews say, but from one of the most anticipated films of the year and the guy who wrote the screenplay for The Last Boy Scout, the untapped potential hurts quite a bit. As an action B-movie, though, the film works reliably. There's quite a bit of action, blood is not spared, and especially at the end it's a pretty decent carnage and the characters are pretty good. The prevailing triple combo is the likable Boyd Holbrook, the beautiful Olivia Munn and the witty Keegan-Michael Key, who finally has a role tailored to him and quite a lot of space. Disappointingly, the atmosphere is almost non-existent, the suspense is also lacking and I couldn't find any Wow effect or scene that made me want to see the film again. That the story is uninteresting and naive I won't criticize, because the old Predator doesn't have a sophisticated script either. For me, the film is hurt quite a bit by the fact that it takes place in a city instead of a jungle. Anyway, the film fulfils its purpose of entertaining, but unfortunately you will not take anything more away from it this time. 65% (09/15/2018)

Holy shit, who would have guessed how totally fucked up this was going to be? Shane Black as director? That is an absolute win. So, what did go wrong? Maybe the fact that Shane made a bit of a joke out of the Predator. The Predator is rough. It is like if you put a group of the toughest soldiers into Vietnamese jungle and asked them to smash their way through the worst shit. They will go and do it, similarly like Arnold Schwarzenegger when he was shooting the machine gun into the jungle not knowing what was happening around him. However, the fundamentals there were clear. Not to drive fear to the absurd but drive fear to the reality and add a bunch of tough lines that will be legendary even in a third generation. But here? The main theme of Predators is an autistic child and the whole thing revolves around a bunch of weirdos who do not take themselves seriously at all and turn this film into a complete farce. I get that it was meant that way, but I have to say it doesn’t fit Predator at all. Had I not known the original Predator, I would’ve been more or less satisfied. For example, Keegan Michael Key is a great comedian, but does a comedian belong into the Predator? I don’t fucking think so. Pardon my French, but this film does not deserve a more delicate review. (05/07/2019)

Shane Black upgrades everything imaginable, sets a fast pace and, especially with Dolby Atmos, successfully fulfills the requirements of a hit action movie (it’s taken up a level by the high-powered climax). What does not work, however, are the characters – there are quite a lot of them, not one of which is likable or interesting (Jacob Tremblay’s boy had “Spielbergian” potential but failed to fulfill it). The attempts at humor and coolness don’t work; moreover, they’re here at the expense of the atmosphere and tension for which I love the first installment and don’t mind the second. This one is a more action-packed and imaginative, but not much smarter Paul W.S. Anderson’s Alien vs. Predator. (09/20/2018)

A new comic-book toilet flush from Marvel, or maybe even worse, DC, who coincidentally feature the Predators. You piss me off, Hollywood. Why is it that there are almost no good adult films produced anymore? Why is it that when studios pour a lot money, what comes out is uniform, sterile infantility? There is plenty of blood and it does fuck things up all the way to 11, but it has the mental level of a six year-old kid. The characters must utter stupid one-liners and jump 10 metres up in the air, even is nothing is happening, and fearlessly balance on a moving bus and a flying spaceship (!!!). Plus a cute clever boy and a domesticated predator dog. Did we fucking need any of that, really? In a Predator film? In the first half, at least the humour works sometimes, but in the second half, absolutely nothing. It falls apart to such extent that you can even see massive editing mistakes, when there isn’t a fundamental continuity between two consecutive scenes. It is as if parts of it were missing (I got scared at the transition from the barn to the helicopter, I thought I had fallen asleep for a moment). Shane Black deserves nothing but hell from this. And maybe people will start retroactively appreciating Antal’s well executed Predators. (09/13/2018)