Hardcore Henry
Directed by:
Ilya NayshullerScreenplay:
Ilya NayshullerComposer:
Darya CharushaCast:
Sharlto Copley, Danila Kozlovsky, Haley Bennett, Tim Roth, Andrei Dementyev, Darya Charusha, Svetlana Ustinova, Oleg Poddubnyy, Cyrus Arnold, Will Stewart (more)VOD (1)
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In the world's first action-adventure film shot entirely from a first person perspective, a resurrected cyborg named Henry must fight through the streets of Moscow in pursuit of his kidnapped wife. (Showtime)
Videos (5)
Reviews (14)
There was always something going on and there were so many ideas, but I still got bored, and quite a lot, unfortunately. It’s basically like the first or second Machete, nothing would have been lost if it had remained as a short. Regardless, the form is interesting and it was the only reason I stuck with it until the end.
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The ultimate bachelor party with a lot of thoughtful details, Hardcore Henry is violent, bloody, witty, furious and visually stunning. It is an important genre event (somebody finally got it right!) and I believe that someone in the future will put this concept on a more complex story and thus make a breathtaking point. Then I will be the happiest man alive.
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A mainline adrenaline hit straight to a player’s heart. Memories of Far Cry, GTA, Crysis and other games and others come rushing at you with every minute of the movie. Sharlto Copley’s and his amazing antics drag this movie forward, but the real hero is Naishuller, who pieced the movie together. Great music. A feelgood movie.
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Harcore Henry is definitely not a film for everyone, no question about it, but it impressed me as a viewer. You could say it's a kind of PC version of Kill Bill, riding a huge action wave of violence, blood, swearing, but also jokes and black humour (mostly provided by Sharlto Copley) from beginning to end. On top of that, everything is seen in first person, which makes the cinema experience all the more intense. As a result, this is a brisk flick that really has balls (unlike the one sleazy cop in the film), isn't afraid to go for it and knows how to sell it properly.
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The pure fire of an avid fan of decadence who pursues the ultimate physical experience with the vigor of a Soviet bulldozer. The creative stubbornness is admirable, but dramaturgically it's pretty bad because, around the 60th minute, it starts to chafe. The frantic ending, however, lifts up the video game concept (literally) into high gear (arcade jumps included) and revs into the red. It’s a progressive genre detour, but unfortunately into a dead end.
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