Avengers: Infinity War
Cinematography:
Trent OpalochComposer:
Alan SilvestriCast:
Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Don Cheadle, Benedict Cumberbatch, Tom Holland, Chadwick Boseman (more)VOD (4)
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The Avengers and their Super Hero allies must be willing to sacrifice all in an attempt to defeat the powerful Thanos before his blitz of devastation and ruin puts an end to the universe. (Walt Disney Studios Motion Pictures)
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Reviews (16)
Infinity War combines within itself several excellent (Thor’s main storyline) and a few average aspects of Marvel movies: achievement of the objective is delayed due to the fact that the protagonists repeat the same “mistake” again and again, by means of which the filmmakers incessantly and semi-pathetically tell us what the film’s central idea is, the most robust action happens basically just to cut something epic into the trailer when the directors switch to melodramatic mode (which they do much more frequently than before), some of the dialogue is pretty “cheesy”, the plot becomes more predictable over time, the postponement of the inevitable more tiresome and the narrative more monotonous ... It holds together thanks mainly to the emotionally dense revealing of negative motives, to which the turning points and the division of the narrative into three large plot segments are tied. ___ The movie strives for an uncompromising climax, but the story is not pervaded with a serious approach to nearly the same extent as in Logan’s or Nolan’s Batman films. Priority is still given to entertaining the viewers and not forcing them to think about the sense of violence or the cost of heroism/humanity. I still consider the best Marvel movie to be the second Captain America, whose stylistic purity and narrative compactness that the rather episodic Infinity War can only dream about, given how it leaves some of the characters out of the story for so long that you almost forget they are in the movie and alternates between too many styles (while quite logically not having its own distinctive style like Thor: Ragnarok or Black Panther). ___ This time, Feige and co., like Singer in the markedly more ponderous X-Men: Apocalypse, go to the limit of how many prominent characters can be crammed into a single feature film without it falling apart, while making sure that viewers who are unfamiliar with the previous eighteen films do not get completely lost and that viewers who are well acquainted with the MCU get what they want without their heads exploding. It’s hard for me to imagine where they can go next and it can b probably be considered a great success that the result is not much less consistent and that it generally has a balanced rhythm (due in large part to the rapid and humorous verbal exchanges). ___ Infinity War is not revolutionary and it contains nothing so stimulating (in terms of style, content or narrative) that I want to see it again anytime soon, but for all the money, it is unambiguously a superbly calculated blockbuster that cleverly serves the fans (starting with the entrances of the individual heroes on the scene), making its production circumstances reminiscent of the golden age of the large-scale Hollywood system (a regular stable of stars + an unchanging circle of collaborators). Furthermore, it can be unsettling for the more sensitive viewers who have become a bit attached to the Marvel superheroes over the years (I myself had a rather unpleasant feeling of helplessness and anxiety during the credits and for a moment afterwards). 80%
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Apart from some minor tweaking, it's still the same Marvel space soap opera. What makes it so special this time is the extreme number of main characters, which is an interesting ploy, because it's clear that everyone will find something to like, apart from the absence of Hawkeye, everyone will have their favourite on screen. Another positive is Josh Brolin, whose digital face and voice conveys more emotion than most normal characters put together. An actor who has the advantage that he doesn't have to do much, just look and say something here and there – that's how charismatic he is. The other good thing is the dramatic weighing of the characters of Captain America and Stark – both in good ways. The negatives are still the same. Again, the destruction of the world (and the relatively solid motivation doesn't excuse it), digital monsters, unimaginative heavy-handed action scenes, pathos, bumbling around unknown planets, finding unknown things at unknown blacksmiths, and aside for a few more adrenaline-filled moments like Thanos vs Hulk, Thanos vs Stark, etc. then it's a downright cheesy action finale with a few cool catchphrases, usually provided by the members of the Guardians of the Galaxy.
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It flowed nicely, you kind of fall into it at the beginning and let the story take you where it takes you. I'll admit that, for me, it's probably the best movie in the whole dubious Marvel universe. So I'm curious to see what's in store for us next year. You can think about it a lot and spin wild theories with friends (without the internet, without knowing the source material to enjoy it more). Sad scenes, funny, predatory, emotionally blackmailing, artificial, natural, awkward, uber stilted ... it's got it all. It's really good to watch in the theaters.
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A showcase. Slight differences of opinion above/below are irrelevant. This film is a great success, while so much could have gone wrong. In the lead role, Thanos is absolutely readable, willing to make a personal sacrifice and Brolin’s charisma gives the purple heavyweight a very human dimension. All of the characters have their moment, even though they are given very limited room to shine. Marvel movies answer the dreams of fans of Iron Spider who we were robbed of in the Civil War now comes back at full strength. Wanda and Vision go off down entertaining storylines and Wakanda longs for Starbucks. A first class finale closes the movie with a happy ending (at least in the context of the characters) and tempts you to watch the next part.
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Earth is closed today. When the actors, creators, and producers proclaimed that the last decade had led to this exact point, they were not lying. However many such encounters we've experienced throughout the series and left the cinema highly satisfied every time, it was always obvious that it is fundamentally about the characters of the Avengers and only secondarily about the definitive fate of the city, state, or planet. Everything is different in Infinity War, and a universe teetering on the edge is recognizably at stake from the very beginning. There are casualties, ships are falling, moons are falling, and for an hour and a half I am staring at the screen in astonishment, knowing that this is something I have longed to see, perhaps even more than I was willing to admit. The cooperation of Iron Man with Doctor Strange, the verbal duels of Thor with the Guardians of the Galaxy, Cap with Black Widow and their emergence from the shadows – and above all, the fallen Titan who takes the concept of division by two far too seriously. I had a great desire for the film to shake me up. In this regard, the reality exceeded expectations when my heart was beating so fast that at three moments I thought it might jump out of my body. This time, the Avengers are not just redefining team-ups, not even just comics. This time, they are redefining blockbusters, and they can only raise the bar higher again next year.
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