Godless

Along with The Punisher, the clear series event of the year and the hit of the century for the western genre. This really has everything the genre should have from a likeable protagonist, a great bad guy with his 30 member band of thugs, great music, beautiful locations, cracking gunfights, amazing acting, great direction and writing, I imagine if TV shows got Oscars, Godless would pick up statues for every category. The final thrilling and nerve-wracking 30-minute shootout, where 40 widows defend a saloon with Winchester and Colts against the bad guy and his henchmen, may well be one of the best I've ever seen. An amazing piece of work, a gem, a tribute to a dead genre with clear cult-classic potential. 100% (12/14/2017)

Because Godless premiered on Netflix at a time when I was also engrossed in the magnificent Downton Abbey, where I am completely in awe of Michelle Dockery, I didn't stand a chance against the addition of another favorite genre. Perhaps precisely because Alice Fletcher is the complete opposite of Lady Mary, she seems to me to be the main protagonist of the entire film-like experience. The atmospheric dose is more than abundant and, just like an archetypal story with all the necessary ingredients, Scott Frank's authorial miracle is also a tribute to almost everything that a viewer can remember from a western. I most often thought of Once Upon a Time in the West, The Magnificent Seven, The Quick and the Dead, or High Noon, all well-known pieces. That is why it is clear that those who do not particularly enjoy prairie settings, spurs, and gunslingers, could perhaps suffer through this expedition. On the other hand, those who have been waiting for years for a proper new western to appear in cinemas should immediately head for the television. Those relationships carved in stone, those dialogues about important matters, those progressive plots? Combined with well-drawn heroes and a villain who is impossible to hate? An unforgettable treat. (12/07/2017)

Western is not one of my favourite genres, but every once in a while a gem comes along that convinces me that it's actually not so bad. The trailer gave me the impression that this was going to be a purely feminist western, but it's not. The whole thing is well balanced and all the important characters, and there are not few of them, have their space. This western doesn't just divide good and evil, the plots and characters are complex, which is why, for example, you'll like the main ruthless villain in his own way. And another thing I have to highlight is the music and cinematography – beautiful visuals and scenery, many slow motion shots with unconventional angles, a feast for the eyes. Certainly recommended. (04/27/2023)

Westerns are still alive, which the Godless series lets us know beautifully. Even today, it is possible to tell good and strong stories in this genre, which are also very gritty in places and pull no punches. The film is also very well cast and each actor does a great job, and the great production design perfectly evokes the Wild West era. (12/22/2017)

The series had an interesting format: six episodes + a feature-length film at the end. The individual episodes were a little longer than I'm used to, the pace was literally lazy in places, and there was hardly any action, but I still had a good time from the first episode to the action-packed finale. I have to praise the cast, all the characters seemed perfectly natural, I thought the sheriff Bill McNue was especially good and of course Alice Fletcher, because I just love Michelle Dockery. I was intrigued by a strange custom in the little town of La Belle: if you want a man, shoot one. Unconventional, but obviously functional. (02/10/2018)