Red Notice

A trouble-free film, which was surprising to me. Dwayne Johnson and Ryan Reynolds are an unexpectedly great comedy duo, and although neither of them almost ever leave their comfort zones, I didn't mind at all because they are convincingly amusing and not awkward. And Gal Gadot keeps up with them and is more than just a useless pretty face. Red Notice masks the simplicity of the plot with a variety of situations that all three find themselves in, as well as the fact that the film makes fun of itself. For example, when one scene starts to resemble something like Indiana Jones, you can be sure that in a while someone starts whistling the fanfare of John Williams, and the action scene that confirms the affection for Indy lurks around the corner. I liked that the script wasn’t forced, that it didn't need jokes at all costs, that it was imaginative, and although it quotes or recalls all sorts of stuff (the scaffolding scene belongs in Pirates of the Caribbean, etc.), it doesn't steal them, and it is, or tries to be as original as possible. I wanted to be this satisfied with Army of Thieves, for example. (11/14/2021)

One of this year's most expensive Netflix movies is a decent genre one-off, but given the budget and the cast, I was expecting a bigger load of excitement. I was kind of hoping for something in the vein of 6 Underground, but the PG-13 rating alone kind of bugged me. It's a bit of a variation on Indiana Jones, James Bond and Ocean’s Eleven, but in neither can the film hold a candle to those franchises. As expected, Red Notice is an entertaining, expensive and nicely made film, with The Rock, Gal Gadot and Ryan Reynolds doing their thing again, and a few of the jokes are good. Unfortunately, the action is a disappointment, there isn't a single memorable action scene and the finale is delivered in a more intimate than monumental way, which is a big downside. There is one unexpected twist that’s quite good, and the heist antics aren't bad, but that's not enough for me. The two hours are bearable, and Red Notice is certainly worth recommending, but it should and could have been more consistent and wilder. Story 3/5, Action 3/5, Humor 3/5, Violence 0/5, Fun 4/5 Music 4/5, Visuals 4/5, Atmosphere 2/5, Suspense 2/5, Emotion 3/5, Actors 4/5. 6/10. (11/13/2021)

Red Notice didn't entice me due to the likeable cast, with the Gadot-Johnson-Reynolds trio proving themselves in their roles. Plot-wise, it is basically a rehash of older films and aside from a minor plot twist, which was predictable from a certain point on, it doesn't have much to surprise. Some scenes feel too forced – lately filmmakers feel the need to put unnecessary artificial animals in their films – and you could talk at length about how Red Notice disregards the laws of physics, but whatever, a film like this should be taken with a grain of salt. The film could have easily been a quarter of an hour shorter, but it still managed to keep me interested, tense and even entertained at times (thanks mainly to Reynolds). (01/14/2022)

A TV B-movie with A-movie actors, a promising theme, a weak screenplay and the oh-so-mediocre Rawson Marshall Thurber in the director’s chair. Red Notice could be great a modern take on Indy (they even have Swastikas) and the search for Cleopatra’s golden eggs, if it weren’t for lots of nonsense and ridiculous (even if unexpected) twists. The Rock, Gadot and Ryan Reynold all act how they always act and if this had had more inventive (better filmed) action and if it hadn’t been filmed in a studio, it could have been a wonderful guilty pleasure, but this way it is only just an entertaining snack. P.S.: Not even Jablonsky was trying... (11/17/2021)

Red Notice is a pure genre film for sure. Netflix didn't take any chances and simply offered a trio of action movie veterans another (joint) project. It follows a basic pattern, Reynolds has plenty of one-liners, Gadot is sexy, and Johnson uses his muscles. I don't think anyone will be surprised if more sequels are made. We also get the nice pairing of Gadot and Cleopatra, another of which we got in Death on the Nile, and next year she'll hopefully be playing her in a really no-frills big budget narrative film. (04/18/2022)