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3DD!3 

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English A thriller... and a cheap one. Gyllenhall savors the ambiguous character of an emergency line operator who gets a call from an abducted woman. With a computer and head set in the supporting roles. I haven’t seen the original and don’t know how much Pizzolatto changed, but the dialogs and twists are very good with the suffocating Covid atmosphere. Calling over the phone and face to face contact just aren’t the same! One day I might watch the original Danish version. ()

Goldbeater 

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English This is just another Americanized carbon copy overshadowed by the original 2018 Danish movie called The Guilty. There is no point watching it if you have already seen the original as this movie has nothing new to offer. The only enjoyable aspect was Jake Gyllenhaal's focused performance, even though he was really completely wasted in this. ()

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Remedy 

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English If you're not familiar with the Danish original and were lured in by Jake, you'll probably enjoy this. For those familiar with the original film, it's a complete waste of time that, with complete (and totally irrelevant to the plot) exceptions, just dully copies the excellent original. Unfortunately, Jake Gyllenhaal overacts at times and falls far short of his highest acting qualities as in Prisoners or Zodiac. [55%] ()

D.Moore 

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English An intimate and such a well written film that it seemed to me almost like an adaptation of a very good radio play. I didn't see the original, so I was able to be (for an hour and a half) tense and wait to see what came out of it, because from the beginning something suspicious hung in the air in that strange night atmosphere. Jake Gyllenhaal is great and the point was successful - given that and the overall tone, I understand why the Americans needed to make (remake) this film and at this time. ()

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