A step-sister of Crimes of the Future, this time set in the realistic present and more oriented toward high-tech gadgets. The stylish Vincent Cassel in a Tesla, scenes of his deceased, scarred wife Diane Kruger following an amputation, her alive-and-well sister Diane Kruger seducing her widowed brother-in-law Cassel,…

An “agrarian” feel-good drama about rural youths who raise cows, make cheese and ride dirt bikes. A family scarred by tragedy, rivalry, tractors, sex in the barn, love and friendship, responsibility for a little sister. For a debut by a young director, Holy Cow is pleasantly authentic, with a feel for the setting and…

Brilliant wide-angle compositions in dark, discomfited filters. Not only of the desolate desert landscape, but especially the dilapidated industrial city framed by that landscape in the background. The story of a reclusive outsider, who doesn’t speak through the entire film, and the emerging friendship between him and…

A nicely outlined western epic with a large number of characters having a diverse palette of conflicts as well as family and romantic relationships. And of course natural locations from multiple corners of America that are a joy to see. Every inch of the film (including Debney’s music) gives us a sense of Costner’s…

A wacky feminist “horror” comedy with three hysterical women, a severed penis, a corpse in the refrigerator, the ghosts of dead men and sizable portions of blood and, mainly, female nudity, the amount of which we’re not used to seeing in the French mainstream (or elsewhere). That nudity interestingly enhances the…

I've always liked films "based on a true story" and here, thanks to a great story and the casting of Helen Hunt and William H. Macy, that's doubly true. The film isn't actually as sad as it might seem at first glance, because it looks at the problem from the lighter side (or so it seemed to me). In short, a nice and…

Paperman, as an Oscar winner in the field of short animated films, is not original in its story, compared to Signs and Post-It Love, but it manages to captivate with its unusual animation, black and white visuals and pleasant music. As a result, it is a cute American caress that has a certain charm despite its…

John Carter may be brimming with breathtaking audiovisual effects and lavish production design, but on the other hand, there is a fairly bland story (to what extent this is the fault of E. R. Burroughs, I really don't know), which is marred by a lot of clichéd dialogue and a few completely deaf spots. Andrew Stanton…

Since the remake is knocking on the door, I decided to watch the original 1981 film without being some kind of horror movie fan. And I have to say that this 30+ year old film does not do the genre any shame. Many of the scenes are nicely paced, the atmosphere is thick, and the visual effects are quite well done for…

As in Franz Kafka's "The Metamorphosis", the main character, Joseph K., is thrown into a completely absurd situation right at the beginning and there are many unanswered questions in the world for which we will wait in vain for answers. Orson Welles decided to bring this unconventional novel to the screen, and IMHO he…